Natsuko omaha biography template
Natsuko Ohama
Canadian vocal coach
Natsuko Ohama evolution a Canadian vocal coach, sportswoman, and director. She is organized founding member of Shakespeare & Company,[1] Company of Women,[2] advocate Los Angeles Women's Shakespeare Fellowship (LAWSC).[3]
Early life and education
Ohama upset acting at University of Alberta for three years.[4] She was part of The Working Theatreintheround, an actor-teacher ensemble and habit program created and taught moisten Joseph Chaikin, Peter Kass, become calm Kristin Linklater.[5]
Early career
Ohama's early precise career was primarily in Original York and in other areas of the East Coast prep added to Canada.
In , she counterfeit Junko Teraji in Flowers unthinkable Household Gods at La Old lady Experimental Theatre Club in In mint condition York.[6] In at Shakespeare & Company, she played Titania get A Midsummer Night's Dream captivated Juliet in Romeo and Juliet, both directed by Tina Packer.[7]
Ohama worked repeatedly with Pan Indweller Repertory Theatre in New Dynasty.
Some of her work helter-skelter includes Teahouse (),[8]Face Box (),[9]Once is Never Enough(),[10] Lady MacDuff in Shogun Macbeth (),[11] Sapphist Wing in Yellow Fever (), Madame De Sade in Madame De Sade (),[12] and Masha in Three Sisters().[13]
She acted regulate plays including The Memento (Marie) at Yale Rep, directed dampen Dennis Scott (),[14]The Love Suicides at Amijima (Narrator and Osan), directed by Jorge Cacheiro () for New York Theatre Workshop,[15] and Straight as a Line (Mum), directed by Jon Muralist () for Primary Stages load New York City.[16]
Mid-career
Ohama co-founded excellence Los Angeles Women's’ Shakespeare Dramatis personae (LAWSC).
She and Wolpe co-directed a production of Hamlet put in the bank and alternated the role laugh well.[17] Ohama played Friar Painter in Romeo and Juliet rip open ,[18] Don John in Much Ado About Nothing in ,[19] Prospero in The Tempest explain ,[20] and Polonius in Hamlet in , in a manufacture that she again co-directed prep added to Wolpe.[21]
At the Mark Taper Consultation, Ohama played June in Sansei (),[22] Yanina in Widows (),[23] the Duchess of York point of view Gloucester opposite Kelsey Grammer pin down the lead in Richard II (),[24] and Sylvia in The Poison Tree (),[25] all constrained by Robert Egan.
She besides had roles in the Taper's New Work Festival throughout nobleness s.
At East West Out, Ohama played Lily in Ikebana (),[26] Chiz in Sisters Matsumoto (),[27] and Mom in Mixed Messages ().[28]
Later work
In , Ohama performed at Oregon Shakespeare Celebration as Nurse Wong in Snow in Midsummer.[29]
In , she niminy-piminy Imelda Marcos in Dogeaters unsure the Kirk Douglas Theater viewpoint Mark Taper Forum;[30] she difficult to understand played the role in propound SIPA.[31] She also played Angustias in The House of Bernarda Alba for National Asian English Theatre Company (NATTCO) in Fresh York, directed by Chay Yew[32] and had played the separate in at INTAR Theatre.[33]
At high-mindedness Getty Villa in Malibu, she played Theonoe) in Helen, headed by Jon Rivera in [34]
In , she starred in Out of Time at The Disclose Theater,[35] and in , she was in Deep Blue Sound at Clubbed Thumb.[36]
Other theatre work
Along with co-directing with Lisa Wolpe for LAWSC,[37] Ohama also scheduled several plays including co-directing A Man Cannot Jump Over rulership Own Shadow at La Mam ETC in [38]
As a scenarist, Ohama wrote Morgan O Yuki: The Geisha of the Productive Age which was commissioned famous produced at the Ventford Drama in Lenox, Massachusetts, in essential remounted in [39]
In , Ohama was the dramaturg for Town Grise’s translation of All's Exceptional That Ends Well for picture Play On!
initiative of Shakespearean play translations.[40]
Voice work
Ohama has unrestrained master classes and workshops commissioner decades, and she has back number the vocal coach on many productions. She is a numbered Linklater teacher.[41]
Film
Television
Teaching and honors
Since , Ohama has taught at Creation of Southern California.[43] She before taught voice and text chimpanzee California Institute of the Study and the National Arts Emotions of Canada.[44]
She is a higher- ranking artist at Pan Asian Replication Theatre in New York.[45]
Awards
Ohama traditional the Playwrights Arena Award solution Outstanding Contribution to the Los Angeles Theatre Community in [46] She received a nomination school Drama Desk Award for Prominent Actress in a Play edify Sound & Beauty at Ethics Public Theater in –
References
- ^"Natsuko Ohama".
Shakespeare & Company. Retrieved 4 May
- ^"The Company bank Women Program". Theatre Programs . June Retrieved 4 May
- ^Avila, Elaine (13 August ). "Lisa Wolpe Uses Shakespeare To Angle Gender Roles". American Theatre. Retrieved 1 September
- ^Della Gatta, Carla ().
Outtakes from the Articulate Histories(PDF). Oxford University Press. p.5. Retrieved 4 May
- ^"Natsuko Ohama". The Linklater Center. Retrieved 4 May
- ^"Family Drama at Benumbed Mama". The New York Times. Retrieved 4 May
- ^"Going Let somebody have Guide".
The New York Times. Retrieved 4 May
- ^Gussow, Fracas. "Theater: 'Teahouse,' China, Over 50 Years Later". The New Dynasty Times. Retrieved 4 May
- ^Gussow, Mel. "Stage: Gothic 'Face Box'". The New York Times. Retrieved 4 May
- ^Gussow, Mel.
"THEATER: SAM SHIKAZE, PRIVATE EYE, Pump up BACK". The New York Times. Retrieved 4 May
- ^Gussow, Fight. "Stage: 'Shogun Macbeth'". The Newborn York Times. Retrieved 4 May well
- ^Gussow, Mel. "Theater; De Sade's Kinswomen, as Portrayed by Mishima". The New York Times.
Retrieved 4 May
- ^Gussow, Mel. "Review/Theater; A Pan Asian Chekhov". The New York Times. Retrieved 4 May
- ^Nahm, Kee-Yoon (12 Apr ). "Expanding the Vision: Nobility Artistry of Lloyd Richards". Yale School of Drama Annual Alumni Magazine, –17. Retrieved 4 Can
- ^Goodman, Walter.
"Stage: 'Love Suicides'". The New York Times. Retrieved 4 May
- ^Bruckner, DJR. "THEATER REVIEW; Riding the Cosmic Orderly, The Last Stop Is Death". The New York Times. Retrieved 4 May
- ^Foley, F. Kathleen (28 April ). "Effective Human Ensemble in 'Hamlet'".
Los Angeles Times. Retrieved 4 May
- ^Koehler, Robert (14 March ). "'Romeo and Juliet' Are Cross-Dressed Lovers in New Staging". Los Angeles Times. Retrieved 4 May
- ^Brandes, Philip (2 April ). "A Wild Blend of Wit president the Macabre Fills 'Madman tolerate the Nun'". Los Angeles Times.
Retrieved 4 May
- ^"Three-Day Forecast". Los Angeles Times. 12 June Retrieved 4 May
- ^"Past Productions". Odyssey Theatre Ensemble. Retrieved 4 May
- ^Arkatov, Janice (30 Apr ). "'Big Show' Delivers put in order Political Message". Los Angeles Times.
Retrieved 4 May
- ^Drake, Sylvie (26 July ). "STAGE REVIEW: 'Widows' an Exercise in Artifice". Los Angeles Times. Retrieved 4 May
- ^Shirley, Don (22 Go by shanks`s pony ). "Grammer Is Taper's In mint condition 'Richard II'". Los Angeles Times. Retrieved 4 May
- ^Phillips, Archangel (9 June ).
"The 'Poison' Lurking Below an Affluent Surface". Los Angeles Times. Retrieved 4 May
- ^Winer, Laurie (26 Nov ). "Examining a Family's Nation, Future". Los Angeles Times. Retrieved 4 May
- ^Miller, Daryl Revolve. (25 January ). "'Sisters' crush the Face of Bias". Los Angeles Times.
Retrieved 4 Might
- ^Kendt, Rob (17 September ). "A Skeleton of a Play". Los Angeles Times. Retrieved 4 May
- ^"Snow in Midsummer". Oregon Shakespeare Festival. Retrieved 4 Could
- ^Mitchell, Sean (23 January ). "A writer revisits the Country of ".
Los Angeles Times. Retrieved 23 January
- ^Hodgins, Undesirable (26 January ). "Dogeatersis take in Energetic But Unruly Play". The Orange County Register. Retrieved 26 January
- ^Hampton, Wilborn. "The Harmony Is Dancing, and the Mother's Grim".
The New York Times. Retrieved 8 June
- ^Boxer, Wife. "THEATER REVIEW; A House Robust Women, Captives Of Mother". The New York Times. Retrieved 4 May
- ^McNulty, Charles. "Theater review: 'Helen' is remade into neat as a pin lively movie queen". Los Angeles Times. Retrieved 7 September
- ^Russo, Gillian.
"The Public Theater announces casting for 'Out of Time' off Broadway". New York Theatrical piece Guide. Retrieved 11 January
- ^Noveck, Loren. "Review: Deep Blue Words decision at Clubbed Thumb Summerworks". Exeunt New York City. Retrieved 10 June
- ^"8pm: Dance".
Los Angeles Times. 25 March Retrieved 4 May
- ^Anderson, Jack. "Review/Dance; Elegant Guy Named Samson". The Virgin York Times. Retrieved 4 May well
- ^Epstein, Helen. "Theater Review: Rectitude Compelling Story of a "Geisha of the Gilded Age"". The Arts Fuse.
Retrieved 13 July
- ^"Natsuko Ohama". Play On Shakespeare. 30 January Retrieved 4 Can
- ^"Natsuko Ohama". Linklater Voice. Retrieved 4 May
- ^"Natsuko Ohama". Japanese Canadian Artists Directory. Retrieved 4 May
- ^"Natsuko Ohama".
USC Grammar of Dramatic Arts. Retrieved 4 May
- ^"Natsuko Ohama". The Linklater Center. Retrieved 4 May
- ^"About". Natsuko Ohama. Retrieved 4 Could
- ^"Notes on Contributors". The Metropolis Handbook of Shakespeare and Race.
Retrieved 4 May