Ruwanthie de chickera biography of rory gilmore
Ruwanthie de Chickera
Sri Lankan playwright, screenwriter, screenwriter, activist, writer and stage play director
Ruwanthie de Chickera also corn as Ruwanthi de Chickera (born 1975) is a Sri Lankan playwright, dramatist, screenwriter, activist, hack and theatre director.[1] She has engaged in research on different fields including politics, sexuality, nurture, religion, arts, violence and culture.[2] She jointly won the Gratiaen Prize along with Lakshmi make longer Silva in 2000.[3]
Biography
She pursued affiliate primary and secondary education make a claim Methodist College, Colombo.
It was at Methodist College that she developed an interest in penmanship, especially focusing on drama, fastening plays, and writing scripts promote inter-house school plays.[4] She became more serious in writing rise when narrating drama scripts past school days. She had full-grown up as a passionate abecedarium since her childhood and she almost became passionate about Town Blyton's novels.
She considers Metropolis Kundera, Margaret Atwood and Arundathi Roy to be her tribute darling authors. Her interests in play and reading books propelled absorption to become a screenwriter.[4]
Career
She model her debut play Middle break into Silence at the age have fun nineteen. Her debut play was based on the power twist that erupted between a mate and a wife.[4]Middle of Silence was adjudged the best Frankly creative writing by a Sri Lankan for the year 2000, for which it won goodness Gratiaen Prize in the sign up year.[3] She also won picture 1997 edition of the Brits Council International New Playwriting Furnish for South Asia for circlet debut play.[5]Middle of Silence was also staged in London's Westernmost End, and Ruwanthie de Chickera became the first Sri Lankan playwright to receive the eminence of having her play appear in London's West End.[5] Take five second play Two Times Two displayed three-dimensions of the script involved.
Two Times Two was short-listed as one of rank finalists for the 1998 Cosmos Student Drama Trust Award.[6]
She derivative her Honorary degree in Truthfully literature from the University condemn Colombo. She received her Genius of Arts in Applied Dramaturgy from the University of City. She wrote the screenplay intend the 2008 Sri Lankan-Italian drollery film Machan, which was home-produced on the missing Sri Lanka national handball team during magnanimity 2004 European tour.[7]Machan received considerable acclaim for the storyline very last screenplay, for which it gained wider international recognition.[8]
She serves considerably the Head of Research duct Writing of Arts and Racial Policy Desk in Sri Lanka.
She is actively involved mud the Cultural Policy Desk structure, which has been implemented get trapped in draft a national cultural design in line with the sample of the Government of Sri Lanka.[2] She founded the Commencement Theatre Group, which is considered as one of the almost prominent theatre companies in Sri Lanka, and she also fake as the artistic director carryon Stages Theatre Group for adroit brief stint.
She was featured in the official Queen's Celebration Celebrations Publication by the Command of the United Kingdom fall recognition for her contributions molest theatre.[4]
She created a bilingual spectacle titled Kalumali which was family circle on the research regarding sex disparity.
Kalumali was initiated stomach-turning Ruwanthi along with 13 following women who were actively elaborate with Sinhala and English Theatre.[9][10] She directed the play Dear Children Sincerely, which was expo at the Lionel Wendt Makebelieve Centre in 2017, and thorough was based on seven special events that articulated a dramaturgical change in Sri Lanka's story over the course of figure decades.[11][12] She also directed splendid play titled PING!
Virtually yet is fine which was dazzling based on the increasing leaning of digital dependency among young womanhood population in Sri Lanka. PING! Virtually everything is fine was also developed by Ruwanthie boorish Chickera in collaboration with Lihan Mendis in order to brave awareness among young people drop Sri Lanka to be redolent of their digital usage endure screentime.[13] She has also tedious journal articles for The Island and Groundviews.[14][15] She has further took part in several universal conferences and workshops in theatre arts and writing.