Marcelo alvarez model biography examples

Marcelo Álvarez

Argentine lyric tenor (born 1962)

Marcelo Raúl Álvarez (born February 27, 1962) is an Argentine elegiac tenor who achieved international work starting in the mid-1990s.

Álvarez travels widely, performing with gain respect singers in major opera protection and concert halls around depiction world.

Since the beginning get on to his career in 1994, grace has maintained an active tourism schedule and debuted in 34 roles. In addition to tiara opera and solo recordings, lighten up has made an album conformity the popular songs of Argentinian tango legend Carlos Gardel, tempt well as an album signal classical duets with Salvatore Licitra.

He has won notable bays for vocal performance and psychotherapy considered one of the apex tenors of his generation, admission high acclaim[1] for his dedicated yet refined delivery in bel canto roles, French opera, last as of 2006, more brilliant lirico pieno (full lyric) don spinto roles.

He lives touch his wife and son to all intents and purposes Milan, Italy.

Early years

Álvarez was born in Córdoba, Argentina.

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As a boy obey five, he was enrolled neat La Escuela de Niños Cantores de Córdoba where he la-de-da music until age 17 weather received his diploma in penalization education. In spite of that musical background, he went transference to study economics at hospital, and for 12 years rectitude study of music was quite out of his life.

Back end his university studies, he became a manager of his family's furniture factory in Córdoba.[2]

Repertoire

Early career

Álvarez always liked singing and many times imitated popular singers’ voices sue for the enjoyment of his companionship, even winning them free vitalizing in pubs.[3] He was 30 years old when his helpmate suggested that he sing house.

At the time, he plain-spoken not know much about composition at all, but in 1992 he started commuting to Buenos Aires for voice lessons decree Norma Risso. It was a-one 12-hour trip by bus, on the other hand he was determined. Ms. Risso was so impressed with disgruntlement student that she told him that within five years proscribed would be singing all see in your mind's eye the world, a prediction delay proved accurate.[4]

He had several insult auditions at the Teatro Colón in Buenos Aires.

By lucky coincidence, the legendary tenor Giuseppe di Stefano heard him turnup for the books one of those auditions[5] extremity urged him to go confront Italy. "You have good instincts; you remind me of individual when I was a callow man", di Stefano told him.[3] Turning to the other the public present, di Stefano commented, "this young man sings with circlet heart, he will have marvellous great career!"[6]

During this time, Álvarez had some performances in miniature houses in Argentina.

His primary stage role was as put in order late-replacement Count Almaviva in Rossini's Il barbiere di Siviglia employ Córdoba in June 1994.[6][7] Yes then performed in Federico Moreno Torroba's zarzuela Luisa Fernanda[8] sell Ismael Pons at the Teatro Avenida in Buenos Aires, great venue that features mostly become absent-minded uniquely Spanish form of melodious theater.

Ismael Pons invited him to perform another zarzuela, Marina (zarzuela), in Menorca, Spain picture next year and recommended him to Spanish baritone Juan Pons[9]

In the 1980s and ‘90s, world-famous Italian tenor Luciano Pavarotti set aside worldwide talent auditions in Pavarotti International Voice Competition. What because he came to Buenos Aires and heard Álvarez audition efficient 1994, he immediately invited him to Philadelphia for the finals of the competition the mass year.[10]

While still in Argentina, Álvarez starred in Donizetti's L'elisir d'amore at the Teatro Roma advance Buenos Aires (December 1994).

These early performances enabled him destroy cultivate his voice and characterization skills, and with the self-belief he gained from those formula experiences and the enthusiastic assistance from di Stefano and Tenor, he and his wife definite to sell everything they eminent and move to Europe encircling expand his opportunities for topping career as an opera nightingale.

Álvarez came to Europe worry 1995 and was quickly affected in a whirlwind of awareness. He went to Spain weather performed the zarzuela Marina president then moved to Milan hostage July. A mere seven date after his arrival in Italia, Álvarez won a voice contention in Pavia, and within boss month he had landed arrange with the Teatro La Fenice in Venice and the Teatro Carlo Felice in Genoa.[11] La Fenice debut was joy September of that year.

Integrity management gave him his selection of what he would passion to perform for his lines and house debut and subside selected the challenging role match Elvino in Bellini's La sonnambula.[12] Following this highly praised opening, he received offers from composition houses throughout Europe[13] to pay off six new roles, all counterfeit which he debuted in 1997.

In addition, Italian mezzo-sopranoFranca Mattiucci was his artistic advisor past this time.

Professional Career, 1995–1999

As a result of his rebellion popularity and enthusiastic critical praise,[14] Álvarez was engaged to show up at high-visibility venues throughout dignity world from the very bank of his career.

He debuted in a demanding number be totally convinced by new roles in Italian decal canto and French operas, culmination ten role debuts during ethics first five years of enthrone career and marking his brisk ascent onto the international place. Alfredo in La traviata vital The Duke in Rigoletto became his signature roles for that time period, with 150 process of each of them.[15]

In 1996 he was understudy for excellence role of Alfredo in Verdi's La traviata in Genoa.

Edge opening night Álvarez was turn a profit the auditorium to watch glory performance when he was phonetic the tenor was ill challenging he had to go pettiness immediately to replace him. That role debut paired him clatter the much-admired Italian soprano Mariella Devia.[10] Within the next trine years he sang his Alfredo in houses all around interpretation world, from Hamburg to Writer, Tokyo, and Vienna.

At authority end of 1998, his igloo debut at the Metropolitan Composition House in New York was in a new Franco Zeffirelli production of La traviata, be adjacent to American soprano Patricia Racette. No problem also performed La traviata delete Ruth Ann Swenson at rectitude Théâtre antique d'Orange in Carroty, France and with Christina Gallardo-Domas at the Deutsche Oper Songster in 1999.

He was straight last minute replacement for Alfredo Kraus in the role blond Arturo in Bellini's I puritani in Bologna, Italy, in Feb 1997. His big break came in the spring of 1997 in Genoa when he stepped in for Kraus again, that time in the lead function in Massenet's Werther. The wide-ranging Italian press covered this first night and raved about the different tenor.[16][17] He got the bring together of Sony Classical and they signed him to an undivided recording contract,[12] producing six CDs in six years.

He hum his first performance as dignity Duke of Mantua in Verdi's Rigoletto in Trieste, Italy (role and house debut) in 1997. Multiple productions of Rigoletto followed over the next three lifetime in Toulouse, Verona, Buenos Aires, Brussels (a June 1999 bringing off at the Théâtre Royal reserve la Monnaie that was televised live throughout Europe[18]), New Dynasty, and Paris.

In 1997, London's Royal Opera House (sometimes referred to as Covent Garden, freedom to its location) was refurbished and performances were held excel the Royal Albert Hall past construction. As a result, Álvarez made his London debut huddle together a concert of Donizetti's Linda di Chamounix at the Kingly Albert Hall in November panic about that year.

His "debut proper" at the Royal Opera Habitat of London was in Sept, 2000 in Offenbach's Les contes d'Hoffmann.[19] Álvarez performs in Author often[20] and has remarked go off at a tangent the city holds a especial place in his heart due to, "that is the first indecorous that audiences shouted out leaden name."[3]

Álvarez traveled to Buenos Aires in the spring of 1999 for production of the in pole position documentary film, Marcelo Álvarez Budget Search of Gardel.[21] The pelt chronicles the making of Álvarez's CD, Marcelo Álvarez Sings Gardel, which offers a modern assignation the most famous tangos, duration honoring the spirit and agreement of legendary tangueroCarlos Gardel.

Prestige songs on this album, at first recorded by Gardel before cap early death in 1935, bear witness to among the oldest tangos extremity have a classical foundation, getting been inspired by the harmony of Chopin, Brahms and Schumann.[22]

2000–2015

The second decade of Álvarez's employment saw continued upward momentum, both in the number of another roles added and in decency types of projects in which he engaged.

The majority signify his professional recordings were indebted during this time and unquestionable continued in his demanding viable performance schedule.

He debuted hoot Werther in Massenet's Werther comport yourself 1997, and then performed depart role in a total accord eight opera houses, including London,[1] Vienna, and Munich, over class next nine years.

Another put it on that he performed widely was Edgardo in Donizetti's Lucia di Lammermoor, appearing in ten work houses in just six majority. Major houses for this lines included the Met, the Subjective Opera of Chicago,[16] the City Opera House, and the State Theatre Munich.

In January 2001, Álvarez sang his first English recital at the Folly Theater[23] in Kansas City presented get by without the Harriman-Jewell Series which anticipation noteworthy for introducing new revealing talent to North America.

Romance tenor Luciano Pavarotti made professional recital debut on decency Series in 1973, followed from end to end of other notable singers making their U.S. recital debuts over significance years, including Mexican Francisco Araiza (1982), Canadian Ben Heppner (1997), Peruvian Juan Diego Flórez (2002), and Italian Salvatore Licitra(2005).

In the autumn of 2001, Álvarez portrayed the Duke in Caledonian director David McVicar's new work hard of Rigoletto at the Regal Opera House in London sure of yourself Italian baritone Paolo Gavanelli service German soprano Christine Schäfer.[citation needed] He performed in another McVicar production in 2009, this always in Verdi's Il trovatore bequeath the Met with Sondra Radvanovsky, Dmitri Hvorostovsky and Dolora Zajick.[24]

Álvarez made his house debut irate Milan's Teatro alla Scala tutor in a 1998 production of Linda di Chamounix with American heinous Laura Claycomb, who was too making her La Scala inauguration.

In January 2002, he resonate Alfredo in La traviata darn Inva Mula in the initiation performance of the new Teatro degli Arcimboldi in Milan, which was the temporary home kindle La Scala until 2004. Elegance had additional performances at rendering Arcimboldi in 2002 and 2003 in role debuts of Donizetti's Lucrezia Borgia and Puccini's La bohème.

That production of La bohème with Cristina Gallardo-Domas was by Franco Zeffirelli and esoteric originally been created for Luciano Pavarotti.[25]

In June 2003, Álvarez tell off Italian tenor Salvatore Licitra floating Duetto, a collection of ideal ballads based on opera arias and other classical melodies, thick-skinned of which were composed ie for them to sing.[26] They gave a concert of selections from Duetto at the Exemplary Colosseum, which was broadcast crate the U.S.

on PBS disclose television.[27] Later that summer, Álvarez and Licitra went to Modern York and gave a concert-in-the-park of Duetto selections in Another York's Central Park, to phony audience of over 50,000 people.[4]

Álvarez has performed with some past its best the world's most celebrated sopranos.

In addition to those by now mentioned, he performed opposite Inhabitant soprano Renée Fleming in 2001 in Massenet's Manon at say publicly L’Opéra de la Bastille quandary Paris[28] and at the Trip over in 2005. In 2002, bankruptcy sang in Lucie de Lammermoor with Italian soprano Patrizia Ciofi at the Théâtre du Châtelet in Paris, a French replace that Donizetti created especially detail Paris audiences.

And in 2003, he performed with highly believed Slovak soprano Edita Gruberova rank Munich in Lucia di Lammermoor.

2006 marked the beginning archetypal Álvarez's transition into a go into detail dramatic lirico spinto repertoire extra he has had some engage in his best success with with nothing on.

He debuted in the character of Manrico in Verdi's Il trovatore in Parma, Italy,[29] neat venue that is notoriously disparaging of tenors. Álvarez happily dealings that the audience took tad their tomatoes intact, choosing call to throw them at him when he gave a act that met their high standards.[30] The following month he prefab his role debut as Cavaradossi in Puccini's Tosca at depiction Royal Opera House in Writer, performing with Romanian soprano Angela Gheorghiu and Welsh bass-baritone Bryn Terfel.

He continued in righteousness role of Cavaradossi at honourableness Arena di Verona with Fiorenza Cedolins and bass-baritone Ruggero Raimondi[31] in a new large-scale acquire by Argentine director Hugo coins Ana.

2008 saw multiple oeuvre of Bizet's Carmen as Álvarez brought his Don José manage the Met with Russian mezzo Olga Borodina as Carmen;[32] high-mindedness Royal Opera House in Author with Nancy Fabiola Herrera returns Spain; with Russia's Julia Gertseva in Florence at the Maggio Musicale Fiorentino, and with France's Béatrice Uria-Monzon in Orange, Writer.

His original debut as Rodolfo in Verdi's Luisa Miller was in London in 2003, coworker further performances over the cotton on five years in Madrid, Parma[33] and Valencia, Spain in 2008 with Greek soprano Alexia Voulgaridou.[34]

Álvarez opened the 2009-2010 season pursuit the Met as Cavaradossi bundle Puccini's Tosca, co-starring with weighty Karita Mattila and baritone Martyr Gagnidze.

It was a dubitable new production by Swiss official Luc Bondy, replacing Franco Zeffirelli's lavish production that the Tumble had used for 24 years.[35] The premiere performance was discuss at no charge to fulfil 3,000 people on a superhuman outdoor screen in Lincoln Center's Josie Robertson Plaza and highlight multiple screens in New York's Times Square for over 2,000 people.

A later performance was broadcast in October as do too quickly of the Met's HD focus, with distribution throughout the Combined States and 39 other countries.

In 2011, Álvarez appeared clichйd the Met as Manrico show Il trovatore (also transmitted hold your attention HD).[36] He debuted as Rockhard Alvaro in La forza illustrate destino in Paris in Nov of that year.

Then revel in 2012 Álvarez performed his Tenth role at the Met, Radames in Verdi's Aida, with Violeta Urmana.[37]

October 11, 2015 marked Álvarez's first appearance on the Westerly coast of the United States, between performances in Turandot to hand New York City's Metropolitan Theater House. He performed a by oneself concert near Los Angeles puzzle the Broad Stage at influence Santa Monica College Performing Music school Center.[38] This performance was cloth of the Celebrity Opera Recitals program funded by the Histrion E.

Rigler – Lawrence Fix. Deutsch Foundation, known for eleemosynary gifts and support of paradigm music and opera, notably nobleness creation of the Classic Imbursement Showcase, which is available 24 hours a day on mega than 500 channels in class United States, as well chimp online at ClassicArtsShowcase.org [2].

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Metropolitan Opera Live in HD Performances

In August 2006, the Metropolitan Work in New York City lowering in its new general unanswered, Peter Gelb. He had great vision for expanding audiences kindle the opera via multiple platforms, including the bold concept near broadcasting live performances in high-definition video to theaters and venues throughout the world.

The important transmission of these live Sabbatum matinée performances was a crisp English-language version of Mozart's Greatness Magic Flute on December 30, 2006. These broadcasts are eat away of the Met's outreach tell off new audiences and have move increasingly successful each year, criticize almost 2,000 screens in be felt by 60 countries broadcasting as spick and span 2013.[39]

Marcelo Álvarez has appeared regulate several HD Live performances, scheduled below:

Date of Broadcast Opera Composer Role Other Performers
October 10, 2009 Tosca Puccini Cavaradossi Karita Mattila, George Gagnidze; Patriarch Colaneri conductor
April 30, 2011 Il trovatore Verdi Manrico Sondra Radvanovsky, Dolora Zajick, Dmitri Hvorostovsky; Marco Armilliato conductor
December 8, 2012 Un ballo in maschera Verdi Riccardo Sondra Radvanovsky, Dmitri Hvorostovsky; Fabio Luisiconductor
April 25, 2015 Cavalleria rusticana and Pagliacci Mascagni and Leoncavallo Turiddu and Canio Eva-Maria Westbroek Santuzza, Patricia Racette Nedda, obtain George Gagnidze also in be included roles as Alfio in Cavalleria and Tonio in Pagliacci; Fabio Luisi conductor

Complete Repertoire

Despite a more late start singing opera professionally at age 32, Álvarez has been committed to cultivating coronate career carefully, both in greatness types of roles he takes on and the progression regard styles in which he engages.

He puts a high preeminence on maintaining the principles bazaar bel canto[4] – a slick vocal line, volume modulations, increase in intensity vocal expression of emotions - all while preserving the tonic quality of the voice.[40]

Year remember Debut # Title Composer Role Other Performers Opera house Location
1994 1 Il barbiere di Siviglia (The Barber of Seville) RossiniCount Almaviva Omar Carrion, Laurels Grassi Teatro del Libertador San Martin Córdoba, Argentina
2 Luisa Fernanda (zarzuela)Federico Moreno TorrobaJavier Cecilia Diaz, Ismael PonsTeatro Avenida Buenos Aires, Argentina
3 L'elisir d'amore (The Miracle drug of Love) DonizettiNemorino Silvia Gatti, Omar Carrion, Pedro Alvarez Teatro Roma Buenos Aires
1995 4 Marina (zarzuela)Emilio ArrietaJorge Gail Dobish, Ismael PonsMenorca, Spain
5 La sonnambula (The Sleepwalker) BelliniElvino Giusy Devinu, Patrizia Biccirè, Francesco Elero d'Artegna La FeniceVenice
1996 6 La traviata (The Fallen Woman) VerdiAlfredo Mariella DeviaTeatro Carlo FeliceGenoa, Italy
1997 7 RigolettoVerdi Duke of Mantua Teatro Lirico Giuseppe Verdi Trieste, Italy
8 I puritani (The Puritans) Bellini Arturo Maureen O’Flynn, Alberto Mastromarino, Dean Peterson Teatro Comunale di BolognaBologna, Italy
9 WertherMassenetWerther Denyce GravesTeatro Carlo Felice Genoa
10 La fille du régiment (The Damsel of the Regiment) Donizetti Tonio Angeles Blancas Bilbao National Opus House Bilbao, Spain
11 Linda di ChamounixDonizetti Carlo Mariella Devia, Alessandro Corbelli, Alastair MilesRoyal Albert Appearance (temporary home of the Kinglike Opera House) London
12 ManonMassenet Le Chevalier des Grieux, resolution simply "des Grieux" Teatro San CarloNaples, Italy
1998 13 FalstaffVerdi Fenton Ruggero Raimondi, Dorothea Röschmann, Lucio Gallo; Claudio AbbadoconductorBerlin State OperaBerlin
14 Lucia di LammermoorDonizetti Edgardo Annick Massis, Boris Statsenko Théâtre du CapitoleToulouse, France
2000 15 FaustGounodFaust John Tomlinson, Angela-Maria Blasi, Roger Gilfry National Theatre MunichMunich
16 Les contes d'Hoffmann (The Tales beat somebody to it Hoffmann)[19]OffenbachHoffmann Desirée Rancatore, Irini Tsirakidis, Angela Gheorghiu, Michele Pertusi; Emmanuel VillaumeconductorRoyal Opera HouseLondon
17 Der Rosenkavalier (The Knight of rank Rose) StraussItalian Singer Susanne Mentzer, Cheryl Studer, Peter Rose Metropolitan Opera HouseNew York City
2002 18 Lucia di LammermoorDonizetti Edgard Patrizia Ciofi, Ludovic Tezier, Marc LahoThéâtre du ChâteletParis
19 Lucrezia BorgiaDonizetti Gennaro Mariella Devia, Michele Pertusi, Daniela Barcellona; Renato Palumbo, conductorTeatro degli Arcimboldi (temporary fondle of La Scala) Milan
2003 20 La bohèmePucciniRodolfo Cristina Gallardo-Domas, Roberto Servile, Hei-Kyung HongTeatro degli Arcimboldi (temporary home of La Scala) Milan
21 Luisa MillerVerdi Rodolfo Barbara Frittoli, Carlo Guelfi, Ferruccio Furlanetto, Phillip Ens Royal Composition House London
2004 22 Roméo et JulietteGounod Roméo Angela-Maria Blasi National Theatre Munich Munich
2005 23 Un ballo in maschera (A Masked Ball) Verdi Gustavo (Riccardo) Karita Mattila, Thomas Hampson (baritone)Royal Opera House London
2006 24 Il trovatore (The Troubadour) Verdi Manrico Fiorenza Cedolins, Roberto Frontali, Marianne Cornetti; Renato Palumbo, conductorTeatro Regio di ParmaParma, Italy
25 ToscaPuccini Cavaradossi Angela Gheorghiu, Bryn Terfel; Antonio Pappano, conductorRoyal Composition House London
2007 26 CarmenBizet Don José Beatrice Uria-Monzon, Àngel Òdena, Barbara Havemann; Günter Neuhold, conductorThéâtre du Capitole Toulouse
2009 27 Adriana LecouvreurFrancesco CileaMaurizio Micaela Carosi, Marianne Cornetti; Renato Palumbo, conductorTeatro Regio di TorinoTurin, Italia
28 Andrea Chénier[41]Umberto GiordanoChénier Micaela Carosi, Sergei Murzaev; Daniel Oren, conductorOpéra National de Paris Paris
2010 29 Aida[42]Verdi Radames Micaela Carosi, Marianne Cornetti Royal Opus House London
2011 30 La forza del destino[43]Verdi Don Alvaro Violeta Urmana, Vladimir Stoyanov; Phillipe Jordan, conductorOpéra National de Town Paris
2013 31 La GiocondaPonchielli Enzo Grimaldo Violeta Urmana, Mare José Montiel, Claudio Sgura; Justice Oren, conductorOpéra National de Town Paris
2015 32 PagliacciLeoncavalloCanio Maria José Siri, Leo Nucci; Pinchas Steinberg, conductorOpéra de Monte CarloMonte Carlo
33 Cavalleria rusticanaPietro MascagniTuriddu Eva-Maria Westbroek, George Gagnidze; Fabio Luisi, conductorMetropolitan Opera House New Dynasty City
34 TurandotGiacomo PucciniCalaf Christine Goerke, Hibla Gerzmava, James Journeyman, Paolo Carignani, conductorMetropolitan Opera Studio New York City

Discography (CD)

  • Bel Canto, 1998, Sony Classical.

    European arias from the works oust Verdi, Donizetti and Bellini

  • Berlin Gala, 1999, Polygram Records. Berlin Especial concert of December 1998 become clear to Mirella Freni, Simon Keenlyside, Christine Schäfer
  • Marcelo Álvarez Sings Gardel, 2000, Sony Classical. Selections of Carlos Gardel's tangos, including a digitally-mastered duet of Álvarez singing confront a 1934 recording of Carlos Gardel
  • French Arias, 2001, Sony Refined.

    French arias from the productions of Massenet, Offenbach, Donizetti, Composer, Verdi, Meyerbeer, and Rossini

  • Duetto round out with Salvatore Licitra, 2003, Sony Classical. Original works composed funding Álvarez and Licitra[26] as spasm as variations on classical compositions and arias
  • Manon – Massenet, 2003, Sony Classical.

    Performance of July 2001 by the Opéra Genealogical de Paris at Théâtre aim la Bastille with Renée Fleming

  • The Tenor's Passion, 2004, Sony Standard. Italian and French masterpieces
  • Lucia di Lammermoor – Donizetti, 2005, Numb Voce, Inc. Performance of Honourable 2004 in Tokyo, with Mariella Devia and Renato Bruson
  • Festliche Operngala, 2005, RCA.

    Deutschen Oper harmony benefit for AIDS research, Songster, with Lucia Aliberti, Maria Bayo

  • Marcelo Álvarez: The Verdi Tenor, 2009, Decca. Eighteen arias, including "Celeste Aida", "Di quella pira" spread Il trovatore, and Otello's "Niun mi tema"
  • Marcelo Álvarez: Tenorissimo!, 2010, Sony Classical. Seventeen arias unalarmed from previous recordings of scowl including Puccini's "La bohème" slab "Tosca", and Umberto Giordano's "Andrea Chénier"
  • Adriana Lecouvreur - Cilea, 2011, Dynamic.

    Performance of July 2009 in Turino, Italy with Micaela Carosi and Marianne Cornetti

  • Marcelo Álvarez: 20 Years on the Theatre Stage, 2014, Delos. St. Besieging State Symphony Orchestra, Constantine Orbellian, conductor. Fifteen selections, including before unrecorded arias Vesti la giubba from Leoncavallo's "Pagliacci" as spasm as Puccini's "Turandot" and "La fanciulla del west"

Filmography (DVD and/or Blu-ray)

  • Marcelo Álvarez In Search time off Gardel, 2000, Bullfrog Films.

    Picture film about the life confiscate Carlos Gardel and the formation of the album, Marcelo Álvarez Sings Gardel

  • Songs of Love & Desire, 2002, TDK. Berlin Feast concert of December 1998 reduce Mirella Freni, Christine Schäfer, Playwright Keenlyside
  • Verdi Gala, 2002, TDK. Interrupt of March 2001 at picture Teatro Padiglione Palacassa in Parma, Italy with Plácido Domingo, José Carreras, and José Cura
  • Rigoletto – Verdi, 2002, BBC Opus Arte.

    Performance of September 2001 parallel with the ground the Royal Opera House, Author with Paolo Gavanelli, Christine Schäfer

  • Manon – Massenet, 2003, TDK. Effectual of July 2001 by high-mindedness Opéra National de Paris crash into Théâtre de la Bastille ring true Renée Fleming
  • Duetto, 2003, Sony Influential.

    Performance with Salvatore Licitra desertion behind-the-scenes extras from a chorus at the Colosseum in Scuffle, June 2003

  • Lucia di Lammermoor – Donizetti, 2004, TDK. Performance admire June 2003 in Genoa house Stefania Bonfadelli and Roberto Frontali
  • La Bohème – Puccini, 2004, TDK. Performance of February 2003 amalgamation the Teatro degli Arcimboldi (La Scala ensemble), Milan with Cristina Gallardo-Domas, Hei-Kyung Hong, Roberto Servile[25]
  • Lucia di Lammermoor – Donizetti, 2005, La Voce, Inc.

    Performance hint at August 2004 in Tokyo catch Mariella Devia and Renato Bruson, includes interviews in Italian

  • Giuseppe Verdi's Rigoletto Story, 2005, Roadhouse Motion picture. Performance of August 2002 break through Siena, Italy with Roberto Flattering and Inva Mula
  • Mariella Devia & Marcelo Álvarez, 2005, La Voce, Inc.

    Concert of August 2004 in Tokyo

  • Werther – Massenet, 2005, TDK. Performance of February 2005 at the Vienna State Composition with Elīna Garanča, includes enquire and Opernball excerpts
  • Festliche Operngala, 2005, United Motion. Deutschen Oper go to the trouble of benefit for AIDS research, Nov 2005, Berlin with Lucia Aliberti and Maria Bayo
  • DVD Sampler Theatre ‘06, 2006, TDK.

    Selections featuring Álvarez, Renée Fleming, Karita Mattila, and Plácido Domingo

  • Rigoletto – Verdi, 2006, TDK. Performance of Dec 2004 at the Liceu get the message Barcelona, Spain with Carlos Alvarez and Inva Mula
  • Tosca – Puccini, 2007, TDK. Performance of July 2006 at Arena di Metropolis with Fiorenza Cedolins and Ruggero Raimondi[31]
  • Un ballo in maschera - Verdi, 2010, Opus Arte.

    Suit of September 2008 at blue blood the gentry Teatro Real in Madrid, Espana with Violeta Urmana, Marco Vratogna, and Elena Zaremba. Available mop the floor with DVD[44] and Blu-ray disc.

  • Adriana Lecouvreur – Cilea, 2010, Arthaus Musik. Performance of June 2009 stern the Teatro Regio in Metropolis with Micaela Carosi and Marianne Cornetti
  • Tosca - Puccini, 2010, Contemporary Classics.

    Live performance from illustriousness Met in New York Metropolis with Karita Mattila and Martyr Gagnidze; Joseph Colaneri - conductor

  • Il trovatore - Verdi, 2012, Deutsche Grammophon. Live performance from distinction Met with Sondra Radvanovsky, Dolora Zajick, and Dmitri Hvorostovsky; Marco Armiliato - conductor
  • Un Ballo satisfy Maschera - Verdi, 2013, Deutsche Grammophon.

    Live performance from leadership Met with Dmitri Hvorostovsky, Sondra Radvanovsky and Stephanie Blythe; Fabio Luisi - Conductor

  • Verdi Box Set: Falstaff, Rigoletto, Il trovatore, 2012, BBC Opus Arte. Director Painter McVicar at the Royal Theatre House with Dmitri Hvorostovsky, Sondra Radvanovsky, Paolo Gavanelli and Christine Schäfer
  • Luisa Miller - Verdi, 2012, Unitel Classica.

    Teatro Regio di Parma with Fiorenza Cedolins good turn Leo Nucci

Awards

  • 1995 – Winner, limited voice competition in Pavia, Italy
  • 1995 - Second prize, inaugural Leyla Gencer Voice Competition in Constantinople, Turkey
  • 2000 – Gold Camera Furnish, 33rd Annual International Film humbling Video Festival
  • 2000 – Honorable remark, Columbus International Film and Tv Festival
  • 2000 – Singer of Goodness Year, Echo Klassik (German Audioworks Cultural Institute)
  • 2002 – Singer pills The Year, Echo Klassik
  • 2003 – Best Tenor of The Epoch, 2002, as voted by readers of Italian L’Opera magazine
  • 2007 – La Martesana Opera Award, be on fire by OperaClick and Associazione Recounting Harmonia

References

  1. ^ abSeckerson, Edward.

    “The Elate of Restraint, Werther, Royal Theater House, London”, The Independent, Sep 24, 2004. Retrieved Feb 9, 2009.

  2. ^Parney, Lisa Leigh. “From Apartment Store to Stage”, Christian Skill Monitor, Jul 5, 2002. Retrieved Jan 30, 2009.
  3. ^ abcAshley, Tim.

    “My Other Voice is greatness Bee Gees”, The Guardian Unlimited, Nov 27, 2003. Retrieved Jan 27, 2009.

  4. ^ abcPritchard, Jim. “With Heart and Soul - Marcelo Álvarez, Covent Garden’s Don José, talks to Jim Pritchard”, Seen and Heard International's Worldwide Assent and Opera Reviews, 2008.

    Retrieved Jan 27, 2009.

  5. ^Master Classes Leash audition for Giuseppe di Stefano, Colegio Nacional de Buenos Aires, 1994. "YouTube.com" Retrieved May 30, 2010.
  6. ^ abHall, George. "Marcelo Álvarez, interview", ‘‘Opera’’, Sep 2004.
  7. ^“Piano, piano, senza parlar” from Rossini’s ‘‘Il barbiere di Siviglia’’, Córdoba, 1994.

    YouTube.com. Retrieved Feb 20, 2009.

  8. ^“De este apacible rincón de Madrid” from ‘‘Luisa Fernanda’’ – zarzuela, composer Federico Moreno Torroba, Buenos Aires, 1994. YouTube.com. Retrieved Feb 20, 2009.
  9. ^Zinger, Pablo. “Argentine Export”, Opera News, Sep 2002. Retrieved Feb 12, 2009.
  10. ^ abGurewitsch, Evangelist.

    “A Plum Assignment for exceptional Late Bloomer”, The New Royalty Times, Nov 22, 1998. Retrieved Jan 27, 2009.

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